Tag Archives: Photographic Arts

Call for Entry | International Photography Awards

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Due: July 31, 2015
International Photography Awards

ANNUAL IPA PHOTOGRAPHY COMPETITION
The International Photography Awards conducts an annual photography competition for professional, non-professional, and student photographers on a global level, creating one of the most ambitious and comprehensive competitions in the photography world today. The IPA recognizes photography’s leading talents who are creating, shaping and defining the world of photography today.

– Be Honored by receiving the coveted Lucie Statue at the Lucie Awards Gala
– Be Published in the IPA Annual Book of Photography
– Be Featured in the IPA Best of Show Exhibition in New York City
– Win over $22,000 in cash prizes

We have awarded over $225,000 in cash prizes to date!

Submit your images and be a part of the most recognized event in Photography!

AWARDS AND PRIZES
In addition to receiving two complimentary tickets to The Lucie Awards, the category finalists will earn the chance to compete for the cash prizes, and the following titles:

THE WINNER OF INTERNATIONAL PHOTOGRAPHER OF THE YEAR AWARD WILL RECEIVE:

Lucie Statue
$10,000 cash prize, provided by AtEdge
Work exhibited in Best of Show exhibition
Two complimentary tickets to the Lucie Awards
Work screened at the Lucie Awards
Published in the IPA Annual
Press release and newsletter announcements to over 50,000 IPA members
THE WINNER OF DISCOVERY OF THE YEAR WILL AWARD WILL RECEIVE :

Lucie Statue
$5,000 cash prize
Work exhibited in Best of Show exhibition
Two complimentary tickets to the Lucie Awards
Work screened at the Lucie Awards
Published in the IPA Annual
Press release and newsletter announcements to over 50,000 IPA members
THE WINNER OF DEEPER PERSPECTIVE OF THE YEAR AWARD WILL RECEIVE:

Lucie Statue
$5,000 cash prize, provided by American Society of Media
Photographers
Two complimentary tickets to the Lucie Awards
Work screened at the Lucie Awards
Published in the IPA Annual
Press release and newsletter announcements to over 50,000 IPA members
THE WINNER OF MOVING IMAGE PHOTOGRAPHER OF THE YEAR AWARD WILL RECEIVE:

Lucie Statue
$2,500 cash prize
Two complimentary tickets to the Lucie Awards
Work screened at the Lucie Awards
Published in the IPA Annual
Press release and newsletter announcements to over 50,000 IPA members
Titles of the eight professional category winners:

Advertising Photographer of the Year
Architectural Photographer of the Year
Editorial Photographer of the Year
Photography Book of the Year
Fine Art Photographer of the Year
Nature Photographer of the Year
People Photographer of the Year
Photographer of the Year in the Special Category

Titles of the eight non-professional category winners:

Advertising Photographer of the Year
Architectural Photographer of the Year
Editorial Photographer of the Year
Fine Art Photographer of the Year
Photography Book of the Year
Nature Photographer of the Year
People Photographer of the Year
Photographer of the Year in the Special Category

THE LUCIE AWARDS

The photography community from countries around the globe will pay tribute to the most outstanding photography achievements presented at the gala ceremony, the Lucie Awards. Honors will be given for Lifetime Achievement, distinguishing some of the world’s greatest men and women whose life’s work in fashion, photojournalism, advertising, portraiture, sports, documentary and fine art photography, merit the highest acclaim by their peers. Each year, the Advisory Board nominates deserving individuals across a variety of categories which will be honored during the Lucie Awards ceremony. Once the nominations have been received, the votes are tallied and an honoree in each category is identified. The title winners of IPA: Photographer of the Year, Deeper Perspective, Discovery of the Year and Moving Images are announced at the Lucies and are awarded cash prizes and the Lucie Statue.

LUCIE STATUE – HISTORY

The statue was influenced by two photographers, Frantisek Drtikol and E. O. Hoppe. “Lucie” is the sculptural form inspired by the synthesis of two famous photographic images from the first half of the twentieth century. Taken from the Latin word, “lux” for “light”, Lucie is a tribute to the influence that light plays in photography. In the past years more than 50 top international photography masters have been honored by the Lucie Awards.

BEST OF SHOW EXHIBITION

Each year, the IPA will invite an established curator to select 45 images from both the professional and non-professional pools of 1st, 2nd, or 3rd winners to be exhibited in an exclusive show in New York City, during the week leading up to the Eleventh Annual Lucie Awards event. The Exhibition will then travel to various countries to be included in photo festivals, galleries, and other photography related events.

IPA ANNUAL

The work of all first, second and third place winners, and the names of honorable mentions will be published in the high-quality, full-color, International Photography Annual.

Don’t miss this opportunity to participate in the world’s premiere showcase of photographic talent. Send us your best work today.

ENTRY FEES
ENTRY FEES FOR IPA REGULAR COMPETITION

PROFESSIONALS:

Single Image: $35.00 USD
Series (2 t0 5 images)*: $60.00 USD
Each Additional Category: $25.00 USD

NON-PROFESSIONALS:

Single Image: $25.00 USD
Series (2 to 5 images)*: $50.00 USD
Each Additional Category: $15.00 USD

STUDENTS:

Single Image: $15.00 USD
Series (2 to 5 images)*: $30.00 USD
Each Additional Category: $10.00 USD

ENTRY FEES FOR IPA DISCOUNTED COUNTRIES

To help promote equal participation from photographers worldwide, the IPA offers discounted fees to selected countries in an effort to make this competition globally accessible and inclusive.

If you are submitting from an eligible country, the discount fees are automatically applied.

PROFESSIONALS:

Single Image: $23.00 USD
Series (2 to 5 images)*: $40.00 USD
Each Additional Category: $16.00 USD

NON-PROFESSIONALS:

Single Image: $16.00 USD
Series (2 to 5 images)*: $33.00 USD
Each Additional Category: $10.00 USD

STUDENTS:

Single Image: $10.00 USD
Series (2 to 5 images)*: $20.00 USD
Each Additional Category: $4.00 USD

For more information regarding Categories and Rules, click here.

Call for Entry | Memories, Stories, Histories

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Due: July 22, 2015
Memories, Stories, Histories | The Center for Fine Art Photography
Juror: Amy Galpin

THEME | Memories, Stories, Histories
Explore Memories, Stories and Histories through personal, familial, cultural and universal imagery. All capture types and photographic processes are eligible to submit.

JUROR | Amy Galpin
Amy Galpin is Curator of the Cornell Fine Arts Museum.
Previously, Galpin was Associate Curator, Art of the Americas at the San Diego Museum of Art. In San Diego, she curated Behold, America! Art of the United States from Three San Diego Museums, a 2012 collaboration between the San Diego Museum of Art, the Timken Museum of Art, and the Museum of Contemporary Art San Diego. Other projects for the San Diego Museum of Art include the group exhibitions Women, War, and Industry and Arnold Newman: In Context and many solo exhibitions. She has published articles and reviews in art ltd, Panorama, and American Art Review.

ABOUT THE CENTER FOR FINE ART PHOTOGRAPHY
Founded in 2004 by photographers, The Center for Fine Art Photography is a nonprofit 501(C)(3) photography organization. We provide support to photographic artists through exhibition, solo exhibition, promotion, portfolio reviews, publication, education and connection to a large community of other artists, curators, gallery owners and photographic professionals. Open Tues-Sat, Free.

HONORS | AWARDS
An international audience of collectors, curators, art consultants and other advocates of fine art photography will view the chosen artist’s work throughout the exhibition. Each participant is included in the Center’s Main Gallery exhibition in Fort Collins, Colorado and Online Gallery exhibition.

Juror’s Selection: $500.00
Director’s Selection: $250.00
Two LiveBooks Website Awards: Valued at $399 from liveBooks
Honorable Mention Awards: 2 year membership and image submission to a Call for Entry at C4FAP.

In addition artists’ selected for the exhibition will also receive:
Promotion on The Center’s large social media platforms.
Professional installation images for your use.
Invitation to complimentary portfolio reviews, lunch and portfolio sharing on the reception weekend.
In-gallery and online exhibition with links to artists’ websites
Press releases are sent to artists’ choice of media outlets.

SUBMISSION | ENTRY FEE
MEMBERS | $24 for the three images.
NON-MEMBERS | $38 for the first three images.
ADDITIONAL IMAGES may be submitted for $8 each for members and $10 each for non-members. There is no limit to the number of images that may be submitted. Applicants signing up for membership at the time they submit will receive the automatic discounted entry fee.
Note: Images selected by jurors for exhibition at the Center in the previous 12 months are NOT eligible. Images previously submitted but not yet selected for exhibition may be resubmitted.

Image Upload Guidelines
All images are submitted online on our website. To submit images visit our home page, create an account or Login to your existing account to begin. Further instructions are available in the Calls for Entry Section of our website.

IMPORTANT DATES
Entries Due | July 22, 2015
Notice Of Acceptance | August 5, 2015
Exhibition Dates | November 6 – November 28
Artist Talk | November 6, 5-6pm
Public + Artists’ Reception | November 6, 6-9 pm

Eligibility: Our calls for entry are open to all photographers world wide, both amateur and professional. The Center invites photographers working in all mediums, styles and schools of thought to participate.
Exhibit Prints: In order to be included in the online gallery or to receive an award, you must provide a professionally printed and presented image for gallery exhibition. The Center recognizes that some work is non-traditional and the presentation type is integral to the work. Colorful frames must be pre-approved. To encourage participation by photographers from around the world, the Center offers optional, professional, printing and framing services. Additional details will be provided upon request.
Acceptance Notice: Everyone who submits will receive an email notification of which images were accepted. Accepted images will be posted on the Center’s website.

USE RIGHTS: Each artist retains all copyrights to their own images. Artist’s recognition is provided with any use. By submission for jurying, artists whose submissions are chosen for the exhibition grant The Center for Fine Art Photography the right to use their images for the purpose of promoting the artist, promoting the Center’s programs, promoting exhibitions and subsequent display on the Center’s website of current and past exhibitions. Promotions and images may also be placed on social networks for The Center for Fine Art Photography with artist credit. Artists grant the use of their image(s) as stated without further contact or compensation from the Center.
For more information, click here.

Call for Entry | SEITIES Autumn Publication + Exhibition

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Due: August 3, 2015
SEITIES Autumn Publication + Exhibition
Theme: Macabre

SEITIES Publication + Gallery requests an international call for traditional + alternative photographic work for publication + exhibition bi annually. The Publications explore conceptual ideologies through a theme that reflect artists who use traditional methods of production in Contemporary Photography. This theme is open to the artists interpretation of the MACABRE and ALL genres of photography
{ landscape, portrait, fine art, street, nude, documentary, fashion, still life..etc.}

SEITIES is a non-profit, artist + reader supported printed publication dedicated to Alternative Methods in Photography. Each issue is curated and exhibited bi-annually. By submitting to SEITIES PUBLICATION your work will automatically be considered for SEITIES GALLERY.

*Please note SEITIES is printed in COLOUR + B+W {tinted + toned plates + prints, polaroids and colour film will be printed in colour }By submitting your work by mail or email you are agreeing to our Terms & Conditions. Please review.
We are traditional process/analog based organization.
Please submit work created using any historic photography processes up to Polaroid.

THEME: MACABRE SUBMISSIONS

$30.00

PAYMENT: please pay before submitting images by making payment using BIG CARTEL

~Buy a ONE TIME SUBMISSION~
All submissions will receive a complimentary issue (mailing fees included) $30/entry 12 image/entry

You may pay with Credit Card or Paypal at Checkout *Please contact admin@seities.ca for alternative payments options*

OR

~Buy a MEMBERSHIP~
Includes:

1. Discounted submission fees (all fees covered for any two upcoming issues/themes) 2. Submissions are for both cover, theme, and competition. 3. Submit a Maximum of 16 images! (An extra 4!) 4. Receive the 2 issues submitted for. 5. All mailing fees included. 6. Opportunity to be the Feature Member Portfolio printed in the Publication, 7. Feature Members receive a link to their website on seities.ca for 1 year. {example}

~PLEASE UPLOAD YOUR IMAGES WITH OUR ONLINE SUBMISSION FORM~
{PLEASE SUBMIT BELOW AFTER PAYMENT {CHECK OUT}

Please Submit up to 12 Images {Members please submit maximum 16 images} {image sizes minium 8×10 inches at 300DPI} Include Full Name, Title and Exact Process used as you wish to see it Published in each File Name
**** GO TO SUBMISSION FORM****

SUBMIT for consideration by MAIL

Please submit up to 12 images{8″x10″ max.} Please mail physical prints to:

SEITIES STUDIO 1136 Sydenham Road SW
Calgary, Alberta, Canada
T2T 0T4
*If submitting work by mail, please include a self-addressed stamped envelope if you wish to have your submission returned to you.

For more information, click here.

Streit House Space | Deedra Baker

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Congratulations to Deedra Baker for having her series, The Pattern Lolls, featured on Streit House Space, a gallery that aims to merge the presentation of the physical and virtual photographic image. Take a look at her work here.

Deedra received her Bachelor of Fine Arts in 2011, from Washburn University in Topeka, KS. She is currently working toward a Master of Fine Arts in Visual Arts with a Photography Concentration and Intermedia Secondary Concentration at Texas Woman’s University.

Call for Entry | Greatest Hits 2015 SPESC Regional Student Juried Exhibition

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Due: August 15, 2015
Greatest Hits 2015 SPESC Regional Student Juried Exhibition | The Lightwell Gallery, School of Art and Art History at OU.
Jurors: Jennings Sheffield and Kristina Smith

DESCRIPTION
Students are an important component of the Society of Photographic Education, they inspire and challenge their photography instructors in meaningful ways every day. This exhibition is an opportunity to highlight the best student work present within the South Central region as evidence of an important catalyst for learning. Students submitting and accepted are encouraged to attend the conference and the Awards ceremony for this exhibition. There will be a short description of the photography work submitted along with the jury process.

LOCATION
As part of the regional SPE SC conference in Oklahoma City & Norman, there will be a juried student exhibition. The Lightwell Gallery is located in the central atrium of the School of Art & Art History at the University of Oklahoma. It’s a large space, with an uninterrupted footprint of 20’ by 65’, and a unique 45’ high, sky-lit ceiling providing visibility from studios, offices, and hallways from one and two stories above the gallery floor.

JURORS
The SPE Multicultural Caucus’ purpose is to facilitate the investigation of multicultural image-makers and image making in regional, national, and international contexts. The official jurors from the Multicultural Caucus.

H. Jennings Sheffield, a contemporary artist working in lens based media, digital video and sound installation. Her work has been widely shown across the US and internationally, including: The Print Center in Philadelphia, Houston Fine Art Fair, Lens Culture, Newspace Center for Photography in Portland, Oregon, and Medien Kultur Haus Wels, Austria. She is an Assistant Professor of Art at Baylor University.

Kristina Smith, a narrative photographer and artist whose creative research focuses on memory, story telling, and the human condition. She currently resides in Denton, TX, where she earned her MFA from Texas Woman’s University. She currently is the
acting Interim Gallery Director at Mountain View College in Dallas, Texas. Her work has been exhibited regionally, nationally, and internationally.

THEME AND REQUIREMENTS
There is no theme for this exhibition. The work does not need to be made for a specific photography class or be part of a project but it must have been made while you were enrolled as a student at a higher education institution from the SPE
SC region. It should be your best work. Please see your photo instructor(s) for advice regarding this submission.

ELIGIBLE WORK
2015 SPE SC regional conference celebrates the plurality of photography. From traditional to digital to alternative processes to video, all photographic techniques and approaches are welcome. Fine Art photography, documentary, commercial, mixed media incorporating photography, photo books & sculptures, and digital imaging and collages – are all eligible! Please submit your best photo-based work that was made over the past 2 years from Fall 2013 to Fall 2015.

FEE FOR SUBMISSION
There is no entry fee. All submissions should be submitted via email as jpgs. Please see instructions for submission. Students will be responsible for the cost of shipping of all accepted artwork to and from the exhibition venue, if required. To do this, you will need to include a UPS or FedEx Return Label with your ready-to-hang work.

STUDENT ELIGIBILITY
Must be a currently enrolled student at an institution within the SPE SC regional conference in the states of Alabama, Arkansas, Louisiana, Mississippi, Oklahoma, Tennessee, and Texas. Submission Instructions Send images for 3 artworks as JPEGS with the submission form via email to okc2015spesc@yahoo.com. Save files as: Last Name_First Initial_student_(number – 01, 02, 03)_(view – if applicable). jpg Examples: Smith_J_student_01.jpg or Smith_J_student_01_view1.jpg. Files should not exceed 2.5MB in size, 1,000 pixels on the longest dimension, Save as AdobeRGB, and 2 views as appropriate for 3-D related work. Please note: Improperly titled jpegs and/or a missing submission form will result in your submission(s) not being reviewed.

IMPORTANT DATES
Call Deadline for Submission: August 15, 2015 by Midnight CST
Date of Notification: August 24, 2015
Arrival Shipment / Drop Off Dates: September 10 – 11th, 2015 by 4:30 PM
Return Shipment / Pick-Up Dates: October 5 – 6th, 2015 9 – 4:30 PM
Exhibition dates: September 14th – October 2nd, 2015.

NUMBER OF ENTRIES
Up to 3  pieces in a photo-related medium, finished in an appropriate manner, and ready to be displayed.

A Certain Displacement, Cliff Gallery | Kristina Smith and Ashley Whitt

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Congratulations to Texas Woman’s University Alumnae, Kristina Smith and Ashley Whitt, for their group exhibition, A Certain Displacement, in Cliff Gallery at Mountain View College. The exhibition is June 15 – August 7, 2015, with a reception on June 20, 2015, from 5:00 PM to 7:00 PM.

A Certain Displacement:
Rachel Rushing, Kristina Smith, and Ashley Whitt

Exhibition: June 15 – August 7, 2015

Reception: Saturday June 20, 2015 | 5:00 PM – 7:00 PM

A Certain Displacement is a collaborative project between three emerging North Texas artists: Rachel Rushing, Kristina Smith, and Ashley Whitt. Each artist explores transitory states of being related to their shared experiences of commuting, collaborating, working, and living across multiple social geographies. Through the investigation of place and identity, this project encompasses video and a combination of historical and contemporary photographic processes to create installations that invite viewers to become immersed in surreal, disorienting environments.

The title specifically references the experience of being an adjunct instructor in the Dallas / Fort Worth area. Contemporary higher education is undergoing great scrutiny, in part due to the still-recent economic recession of 2008. With external pressures pushing against rising tuition costs, much of America is now re-examining the value of higher education and the cost of attendance. As a result of this examination, new light is being shed on those in instructional positions. According to the American Association of University Professors, as much as 76% of faculty across all types of institutions are adjunct, or contingent, faculty.

As members of the group of 76%, these three artists use a variety of photographic processes to explore their circumstances. Processes: this word refers to chemical, mechanical, or digital changes occurring. It also refers to a compulsion found in each artist to work through, to operate in a way that meets their pragmatic needs and simultaneously fulfills their personal creative practices. Processes become rituals to make sense of a lifestyle that is often overwhelming, unpredictable, and ultimately contingent.

http://www.mountainviewcollege.edu/Academics/acaddivisions/Ahss/arts/Pages/artgallery.aspx

Call for Entry | LensCulture Emerging Talent 2015

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Due: June 30, 2015

LensCulture’s Emerging Talent Awards 2015 is their 3rd annual call to discover the world’s best emerging photographers. Their international jury will select 50 outstanding emerging photographers — from all cultures, all points of view, with no age limit.

LensCulture invites you to enter one of the best opportunities for career-changing exposure to their global audience of over 1.4 million, worldwide recognition, an exhibition in San Francisco, projections at photo festivals worldwide, $20,000 in grants, and much more.

Find out more here.

Call for Entry | Water

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Due: March 30, 2015
Water | A Smith Gallery
Juror: Gayle Stevens

wa – ter : rain, tears, agua, springs, drink, rivers, wet, steam, flood, moisture, lakes, humidity, damp, soak, ocean, wash, aquatic, splash…

“The waterskiing bobble heads floated just on the surface.  Belle sat on the gravelly shore, her young son sat in the lap of her new boyfriend, Chance, repeatedly asking why his Mommy’s car was in the lake.

Belle was a water baby.  Her mother and her part-time astrologist sister set her on her watery path early, constantly reminding her of her Aquarian destiny: living in, around and with water.  Being born on February fourteenth gave her her name.  Her Grandmother, Belle Tran Ashcroft, a Vietnamese/French war bride was also born on Valentine’s Day in an art deco teak and brick house on a coffee, rubber and cashew plantation northwest of what was then Saigon.

She was a South Vietnamese water skiing champion.  She met her future husband when he and his soldier buddies were skiing on “her” lake during a weekend of R and R in 1967.  He was also raised on a plantation, in Mississippi.

Grandmother Belle spoke French fluently along with her native Vietnamese.  She struggled always with English, easily moving herself to tears of frustration or amusement when trying to create english vowel sounds or recount a story of her youth.  Sitting there by the lake, with her reasonably new automobile mostly submerged in the clear blue water, Belle looked down at the tears beading up on her tanned mid section, remembering Grandmother Belle trying to say the word fry…”   from the story “Tow Rope” by Franklin Cincinnatus

Juror:
Gayle Stevens will be the juror for “water”. Ms. Stevens has worked in antiquarian photographic processes for over twenty years. Her chosen medium is wet plate collodion for its fluidity and individuality. She exhibits extensively across the United States, United Kingdom, the Netherlands and China. Ms. Stevens received an MFA from the School of the Art Institute of Chicago in 1999. She is an educator, speaker, juror, curator and an active member of the photographic community. Named one of the Critical Mass Top Fifty Photographers for 2010 and 2014, she received second place in the Lens Culture International Exposure Awards in 2011 and was named a finalist for the Clarence John Laughlin Award in 2012 and 2014. Her work has been featured in Fraction, Square, Shots, Diffusion, B + W Photography, South by Southeast and Fuzion magazines and in Inventing Reality, New Orleans Visionary Photography. North Light Press published a book of Stevens’ work, Calligraphy, in their 11 + 1 Signature series. Christopher James will feature her work in the third edition of The Book of Alternative Photographic Processes. Stevens’ work is widely collected and is part of the permanent collection of the Ogden Museum of Southern Art, the New Orleans Museum of Art, the Rockford Museum of Art and the Center for Fine Art Photography and recently the University of New Mexico Art Museum, among others. A member of the Posse photo collective, she divides her time shooting in Pass Christian, Mississippi and Downers Grove, Illinois, where she resides. Stevens is represented by Tilt Gallery, Catherine Couturier Gallery, and Gallery Kayafas and Paul Cava.

SUBMISSION | Guidelines:
Digital images should 1000 pixels on the longest side saved in JPEG format at 72 ppi. Each image should be labeled with consecutive numbers followed by your name, i.e. 1FirstName_LastName.jpg. The number should correspond with the number on the application form.

SUBMISSION | Online:
Fill out our online application to apply, send images, and make payment with Paypal. You will receive an email confirmation upon receiving the entry and payment. You can also fill and submit the online application, print out your confirmation email, and mail it with a check for your fees to the address below. 

SUBMISSION | Mail:
Please prepare a submission form with your name, address, email address and phone number along with a list of the titles and printing process of each entry.  The number of each title should correspond to the image number on the cd.  CD’s and submission form should be mailed to:

A Smith Gallery
P O Box 175
Johnson City, TX 78636

The gallery will send an email confirmation upon receiving the entry and payment.

SUBMISSION | Entry Fee:
$30 for the first 5 images, $6 per each additional image.

ELIGIBILITY:
The competition is open to all photographers both professional and amateur working in all photographic mediums and styles. International entries are welcomed. Work that has been previously exhibited in an A Smith Gallery competition is not eligible.

PRINTING/MATTING/FRAMING | information:
The gallery offers printing, matting and framing services for images that are selected. If sending framed work, please use mats and frames that compliment your work and are appropriate in a gallery setting. Colored mats and prints on foam core are discouraged. All images should be ready to hang with wires. Gallery wraps are acceptable. If you have any questions regarding appropriate presentation please contact amanda@asmithgallery.com.

AWARDS | The awards are as follows:

  • Jurors Award – $325.00
  • Directors Award – $250.00 and an exhibition catalogue
  • Five Honorable Mentions – an exhibition catalogue
  • Visitors Award – $100.00

SALES | The gallery will retain 40% of the sales price.  

USE RIGHTS | Photographers retain full rights to their own images. The gallery will use the photographer’s images for publicity purposes as well as in the Blurb exhibition catalogue. 

FOR MORE INFORMATION | amanda@asmithgallery.com

Residency | 2015 Woodstock A-I-R Program

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Woodstock A-I-R

Due: February 28, 2015
2015 Woodstock A-I-R Program | The Center for Photography at Woodstock

HOW TO APPLY:

We are now accepting applications for the 2015 Woodstock A-I-R program!

Download PDF application here to apply now!

SUBMISSION GUIDELINES:

Please submit:

• 10-15 digital images/video on a DVD/CD-ROM of current work. (one copy)

Format still images as JPEGs with a width dimension no greater than 2400 pixels. Please limit video clips or excerpts to no more than 5 minutes (please indicate length of full video) and submit no more than 3 in total. Acceptable file formats include .mpg, .avi, .mov. Please make sure your three videos combined do not exceed 200MB and test your video files to make sure they play on a Mac and PC.

Individuals applying to the Critical Studies Residency should submit 2 writing samples of no more than 1,500 words per sample with visuals, including featured artist work samples and installation views if applicable. (four copies of each)

• Residency proposal (four copies of each) – see application form for guidelines to answering this question.

• Preference for time of residency (please list 3 options) *The program runs from June through September, please request your time accordingly. Residencies range from 3-6 weeks.

• Four copies of the following:

Artist statement (describing your current projects and artistic process) – limited to 500 words.

Resume (listing past exhibitions, residency, and related experiences) – limited to 3 pages.

Images script (thumbnails of your work with caption information) – see page 3 of the application form.

WOODSTOCK A-I-R participants are selected by a peer panel comprised of professionals in the field and have included past participants in CPW’s residency and exhibition program, curators, collectors, and art critics.

Download PDF application here to apply now!