Artist Lectures | Frank Lopez and Loli Kantor

TPS AND DCP PRESENT JOINT PROGRAMMING
Save the date! TPS has once again partnered with the Dallas Center for Photography (DCP) in Dallas, Texas, to bring you an exciting evening of artist lectures by Frank Lopez and Loli Kantor on Wednesday, March 16, 2016. As founding members of alt8, an alternative processes group based in the Dallas-Fort Worth area, Lopez and Kantor have worked extensively in nontraditional image-making methods. They each will speak about ongoing projects and then address their unique working processes in a subsequent Q&A panel session.
 
Doors open at DCP with a social at 6:30pm, and presentations will begin at7:00pm. Register online in advance to reserve your seat for $5. This event is proudly sponsored by our friends at Frame Destination.

reserve your seat

FRANK LOPEZ
Frank Lopez
Frank Lopez considers himself an Antiquarian Avant-Garde photographer. He explores the different cultures and traditions of China, Korea and Vietnam through photography. Traveling with only a pinhole camera, he concentrates on aspects of local culture and variations of manufactured culture – areas of intentional cultural re-appropriation.
Lopez will discuss symbols associated with the found object – slaptags and graffiti art. The juxtaposition of found symbols initially captured with his iPhone and later interpreted into Tintypes and Ambrotypes explores the immediacy of the found object with the seemingly instant 19th Century version of the Polaroid. The ubiquitous smartphone allows the vehicle to bring the 19th, 20th and 21st centuries together.
LOLI KANTOR
Loli Kantor

Loli Kantor is a fine art and documentary photographer whose work is concerned with community and the human condition. Born in Paris, France, and raised in Israel, Kantor immigrated to the United States in 1984. Her recent work centers on Jewish life and culture in central and eastern Europe. As the daughter of Holocaust survivors, Kantor brings a deeply personal interest as well as a unique sensibility to this body of work. The project, entitled “Beyond The Forest”, was published by the University of Texas Press in November 2014 and will be available for purchase following the evening’s presentation.

 
Kantor’s work has garnered notable awards and recognition and has been exhibited widely in the United States and internationally. Her photographs are included in museum collections including The Museum of Fine Arts, Houston; the Harry Ransom Center at The University of Texas at Austin; Lishui Museum of Photography in China; and Lviv National Museum in Ukraine as well as numerous private collections in the United States and abroad.

Call for Entry | TPS 25

Screen Shot 2014-04-17 at 1.46.01 PM

Due: March 21, 2016
TPS 25: The International Competition | Texas Photographic Society
Juror: Rixon Reed

Texas Photographic Society is delighted to celebrate the 25th Anniversary of this annual call for entry. To commemorate the long-standing history of the international competition, this year’s juror, Rixon Reed, will select the work of 25 photographers for the exhibition. This call is open-themed, and submissions from artists of all levels are encouraged.

Calendar of Events
02-02-16  Call for entry announced
03-21-16  Entries due
04-15-16  Emails sent to entrants
05-23-16  Matted and framed prints due in Alpine, Texas
06-03-16  Show opens at Museum of the Big Bend in Alpine, Texas
08-31-16  Show closes; travels to Martin Museum of Art in Waco, Texas, among other venues

Awards
First Place = $500
Second Place = $300
Third Place = $200
Director’s Award = $200
Up to 5 Honorable Mentions may be awarded

Entry Fees
Entry fee is $30 for 5 images, plus $6 for each additional image. Photographers may enter up to 10 images. Please don’t forget to include your membership fee, if also joining TPS at the time of entry.

Eligibility
TPS 25: The International Competition is open to artists of all levels internationally. You do not need to be a member of the Texas Photographic Society to enter this competition. However, you may join TPS and enter this show at the same time (read more about TPS member benefits). Works exhibited previously in a TPS show are not eligible, and all entries must be submitted digitally. Current members of the TPS Board are permitted to enter but are not eligible for awards.

Instructions for entry are outlined below, following the juror’s bio and statement.

About the Juror
Rixon Reed, Founder and Director of photo-eye and Art Photo Index in Santa Fe, New Mexico

After graduating from the University of Arkansas, Rixon Reed attended NYU film school and later worked for Lee Witkin managing the Witkin Gallery photobook department in New York in the mid-1970s.

Reed started photo-eye in Austin, Texas, in 1979 as a mailorder book business and issued the first photo-eye Booklist—at the time, one of the very few ways you could buy a curated selection of photobooks via mail. The photo-eye Booklist became a widely read catalogue of the best photobooks published. In 1991, Reed moved to Santa Fe, New Mexico, and opened photo-eye as a combined gallery and retail bookstore space. In 1996, photo-eye opened on the web as one of the first online galleries and specialty bookstores.

Today, photo-eye Gallery is located in Santa Fe’s Railyard Arts District showing acclaimed contemporary photographers along with emerging artists. In a separate location, photo-eye Bookstore + Project Space showcases the best in photobooks while exhibiting book-related projects.

In 2013, Reed created Art Photo Index to help curators, gallerists, publishers and other photo professionals discover new work by emerging talent. Art Photo Index is a resource and search engine of nearly 37,000 works by over 3,700 photographers from 90 countries.

Juror’s Statement
In today’s image-laden world, it’s not hard to find interesting photographs to view. There are an incredible number of websites with constant streams of images, but usually with very little context. Scroll through them long enough and you’ll almost always find something to linger on. But for me, it’s rare that these images give me the desire to delve deeper and learn more about the work scrolling past me.

So, what do I respond to?

As a bookseller who sees hundreds of new titles each year, I get most excited about work that uses the medium in aesthetically interesting ways. I’m drawn to all kinds of imagery from documentary, street photography, portraiture, nudes, to constructed photographs and studio work. In judging whether or not a book is successful, I ask myself, does this present an unusual viewpoint? How creative is the design? Does the form it takes make sense aesthetically with the work it contains?

As a gallerist, I’m drawn to artists who are exploring their world in exciting new ways and producing images with fresh ideas and/or aesthetic beauty. I’m particularly interested in the use of alternative processes in the age of the digital image or unusual uses of digital photography.

But ultimately, when looking at individual images, I want to be struck by their originality. I want to feel the image emotionally and I want it to be smartly done.  I want to find images that make me think, “Here is a creative mind working on something different.”

WE HAVE A NEW ONLINE ENTRY FORM FOR SUBMITTING WORK TO COMPETITIONS

Prepare Your Files
1. Files should be 1200 pixels in the longest dimension and saved in JPEG format on the highest quality setting. Images should also be saved in Adobe RGB color space.

2. Label each file as FirstName_Lastname_ followed by consecutive numbers. For example: Sam_Jones_1.jpg, Sam_Jones_2.jpg, etc. Please don’t forget to include the “jpg” extension.

3. Do NOT use spaces in the file name, and do NOT use special characters such as :;’”/?}{()[ ]+=*&^%$#@! (use only alpha-numeric characters).

4. Please prepare the following information for each image: (1) print title; (2) print process/medium; and (3) price or NFS.

Submit Your Entries and Make Payment via Online Entry Form
Please select the “Enter Now” button above and follow the prompts to make your payment online (or by check) and then upload your files. If you experience difficulties with this online entry form, please notify TPS Executive Director Amy Holmes George atamy@texasphoto.org.

Sales
TPS encourages the sales of exhibited work and will not seek commission from print sales. The opening venue for this exhibition, Museum of the Big Bend, will collect a 30% commission on all works sold in their space. Print your name, address, telephone number(s), and price on the back of each accepted print. If your print is Not-For-Sale, simply note NFS but provide a dollar amount for record-keeping purposes. If you do not indicate a dollar value, the artwork will be listed as NFS.

Liability
TPS will exercise all due care when handling your work, but will not be held responsible for loss, damage, or replacement.

Reproduction
TPS retains the right to display, project, and reproduce work accepted for this exhibition for publicity and promotional purposes only. Individual photographers still retain copyright to his/her own individual images. Also, an exhibition catalog will be created to showcase the selected works.

If Your Work is Accepted
* Prints must be matted AND framed for submission.

1. Send one exhibition print for each photograph that is accepted.

2. Prints must be mounted and overmatted using 16″ x 20″ white mat board with at least 2″ of matte visible on all sides of the print. Maximum print size is 12″ x 16″.  Smaller prints, 3″ x 5″ for example, are acceptable if they are mounted and overmatted to the 16″ x 20″ size. To ensure consistency in presentation, please frame your work using simple black metal frames with plexiglass ONLY. Also, please use hanging wire on the backside of your print. TPS reserves the right to exclude works from the exhibition that are not matted and framed according to specifications.

3. Include return postage for prints to be shipped back to you when the exhibition concludes. Prints WITHOUT postage will NOT be returned. Prints will be returned in the container in which they were received.

4. No packing “peanuts,” and please be considerate of our limited storage space when choosing your packaging.

5. Prints must arrive at Museum of the Big Bend in Alpine, TX, no later than May 23, 2016.

If you have questions after reading all the guidelines, please contact us atshows@texasphoto.org.

Call for Entry | The Alternative Processes Competition

Screen Shot 2013-12-13 at 8.46.29 AM

Due: January 19, 2015
The Alternative Processes Competition | Texas Photographic Society
Juror: Christopher James

TPS is excited to announce its latest Call for Entries, which seeks imagery derived from alternative photographic processes and historical printing methods including but not limited to: Albumen, Anthotype, Argyrotype, Athenatype, Bayard Direct Positive, Calotype, Carbon, Casein, Chrysotype, Cyanotype, Dusting-On Process, Gum Bichromate, Gumoil, Herschel’s Breath Printing, Inkjet Photopolymer Gravure, Ivorytype, Kallitype, Mordancage, Platinum/Palladium, POP, Solarplate Intaglio, Van Dyke Brown, Wet Plate Collodion, Whey Process, Ziatype and all photographic image making techniques that incorporate the integration of traditional mediums such as printmaking, ceramics and painting. Conventional, unmodified digital inkjet prints are not acceptable for entry. This exhibition is open-themed, and submissions from artists of all levels are encouraged.

To learn more: Click Here

Calendar of Events:

01-19-15 Entries due
02-09-15  Email notifications sent to entrants
03-27-15  Presentation ready work due at Odessa College
04-06-15  Show opens at Options Gallery, Odessa, Texas
05-08-15  Show closes

Awards:

First Place: $500
Second Place: $300
Third Place: $200
Up to five Honorable Mentions may be awarded

Entry Fees:

Entry fee is $30 for 5 images, plus $6 for each additional image. Photographers may enter up to 10 images. Please don’t forget to include your membership fee, if also joining TPS at the time of entry.

You may join or renewal membership fees with contest entry by following our easy online payment center.
Student/Military Member: $20
Senior Member: $30
Regular Member: $40
Print Program, $195

You may also make a payment for membership by mailing a check (payable to Texas Photographic Society) to P. O. Box 1924, Johnson City, TX 78636.

Texas Photographic Society: Cell Phone Photography III

Screen Shot 2014-04-17 at 1.46.01 PM

Due June 1, 2014

Call for Entries: Camera phones are ubiquitous, and photographers continue to take full advantage of this tool as another device for digital image capturing and editing. The Texas Photographic Society is now accepting images taken with a cell phone camera for its latest competition, “Cell Phone Photography III: Moving Past the Camera” which is open to all levels of photographers internationally. Images must be captured with a cell phone camera and can only be manipulated with a cell phone application.

Juror: Nate Larson is a contemporary artist working with photographic media, artist books and digital video. He holds an academic appointment at the Maryland Institute College of Art in Baltimore and chaired the 2014 national conference of the Society for Photographic Education. His recent project GEOLOCATION, in collaboration with Marni Shindelman, tracks GPS coordinates associated with Twitter tweets and pairs the text with a photograph of the originating site to mark the virtual information in the real world. They recently created site-specific public artworks for the Atlanta Celebrates Photography Public Art Commission, the Indianapolis International Airport, and the DUMBO Business Improvement District in NY. The project has received media attention from Wired Raw File, The Picture Show from NPR, Hyperallergic, Gizmodo, Vice Magazine, the New York Times Lens Blog, Utne Reader, Hotshoe Magazine, the British Journal of Photography, Marketplace Tech Report, The Washington Post, among others. GEOLOCATION is featured in the final issue of Aspect: The Chronicle of New Media Art.
To learn more about Larson’s work, visit: www.natelarson.com.

Click here for more information on this call.