Call for Entry | SEITIES Autumn Publication + Exhibition

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Due: August 3, 2015
SEITIES Autumn Publication + Exhibition
Theme: Macabre

SEITIES Publication + Gallery requests an international call for traditional + alternative photographic work for publication + exhibition bi annually. The Publications explore conceptual ideologies through a theme that reflect artists who use traditional methods of production in Contemporary Photography. This theme is open to the artists interpretation of the MACABRE and ALL genres of photography
{ landscape, portrait, fine art, street, nude, documentary, fashion, still life..etc.}

SEITIES is a non-profit, artist + reader supported printed publication dedicated to Alternative Methods in Photography. Each issue is curated and exhibited bi-annually. By submitting to SEITIES PUBLICATION your work will automatically be considered for SEITIES GALLERY.

*Please note SEITIES is printed in COLOUR + B+W {tinted + toned plates + prints, polaroids and colour film will be printed in colour }By submitting your work by mail or email you are agreeing to our Terms & Conditions. Please review.
We are traditional process/analog based organization.
Please submit work created using any historic photography processes up to Polaroid.

THEME: MACABRE SUBMISSIONS

$30.00

PAYMENT: please pay before submitting images by making payment using BIG CARTEL

~Buy a ONE TIME SUBMISSION~
All submissions will receive a complimentary issue (mailing fees included) $30/entry 12 image/entry

You may pay with Credit Card or Paypal at Checkout *Please contact admin@seities.ca for alternative payments options*

OR

~Buy a MEMBERSHIP~
Includes:

1. Discounted submission fees (all fees covered for any two upcoming issues/themes) 2. Submissions are for both cover, theme, and competition. 3. Submit a Maximum of 16 images! (An extra 4!) 4. Receive the 2 issues submitted for. 5. All mailing fees included. 6. Opportunity to be the Feature Member Portfolio printed in the Publication, 7. Feature Members receive a link to their website on seities.ca for 1 year. {example}

~PLEASE UPLOAD YOUR IMAGES WITH OUR ONLINE SUBMISSION FORM~
{PLEASE SUBMIT BELOW AFTER PAYMENT {CHECK OUT}

Please Submit up to 12 Images {Members please submit maximum 16 images} {image sizes minium 8×10 inches at 300DPI} Include Full Name, Title and Exact Process used as you wish to see it Published in each File Name
**** GO TO SUBMISSION FORM****

SUBMIT for consideration by MAIL

Please submit up to 12 images{8″x10″ max.} Please mail physical prints to:

SEITIES STUDIO 1136 Sydenham Road SW
Calgary, Alberta, Canada
T2T 0T4
*If submitting work by mail, please include a self-addressed stamped envelope if you wish to have your submission returned to you.

For more information, click here.

Streit House Space | Deedra Baker

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Congratulations to Deedra Baker for having her series, The Pattern Lolls, featured on Streit House Space, a gallery that aims to merge the presentation of the physical and virtual photographic image. Take a look at her work here.

Deedra received her Bachelor of Fine Arts in 2011, from Washburn University in Topeka, KS. She is currently working toward a Master of Fine Arts in Visual Arts with a Photography Concentration and Intermedia Secondary Concentration at Texas Woman’s University.

Call for Entry | Greatest Hits 2015 SPESC Regional Student Juried Exhibition

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Due: August 15, 2015
Greatest Hits 2015 SPESC Regional Student Juried Exhibition | The Lightwell Gallery, School of Art and Art History at OU.
Jurors: Jennings Sheffield and Kristina Smith

DESCRIPTION
Students are an important component of the Society of Photographic Education, they inspire and challenge their photography instructors in meaningful ways every day. This exhibition is an opportunity to highlight the best student work present within the South Central region as evidence of an important catalyst for learning. Students submitting and accepted are encouraged to attend the conference and the Awards ceremony for this exhibition. There will be a short description of the photography work submitted along with the jury process.

LOCATION
As part of the regional SPE SC conference in Oklahoma City & Norman, there will be a juried student exhibition. The Lightwell Gallery is located in the central atrium of the School of Art & Art History at the University of Oklahoma. It’s a large space, with an uninterrupted footprint of 20’ by 65’, and a unique 45’ high, sky-lit ceiling providing visibility from studios, offices, and hallways from one and two stories above the gallery floor.

JURORS
The SPE Multicultural Caucus’ purpose is to facilitate the investigation of multicultural image-makers and image making in regional, national, and international contexts. The official jurors from the Multicultural Caucus.

H. Jennings Sheffield, a contemporary artist working in lens based media, digital video and sound installation. Her work has been widely shown across the US and internationally, including: The Print Center in Philadelphia, Houston Fine Art Fair, Lens Culture, Newspace Center for Photography in Portland, Oregon, and Medien Kultur Haus Wels, Austria. She is an Assistant Professor of Art at Baylor University.

Kristina Smith, a narrative photographer and artist whose creative research focuses on memory, story telling, and the human condition. She currently resides in Denton, TX, where she earned her MFA from Texas Woman’s University. She currently is the
acting Interim Gallery Director at Mountain View College in Dallas, Texas. Her work has been exhibited regionally, nationally, and internationally.

THEME AND REQUIREMENTS
There is no theme for this exhibition. The work does not need to be made for a specific photography class or be part of a project but it must have been made while you were enrolled as a student at a higher education institution from the SPE
SC region. It should be your best work. Please see your photo instructor(s) for advice regarding this submission.

ELIGIBLE WORK
2015 SPE SC regional conference celebrates the plurality of photography. From traditional to digital to alternative processes to video, all photographic techniques and approaches are welcome. Fine Art photography, documentary, commercial, mixed media incorporating photography, photo books & sculptures, and digital imaging and collages – are all eligible! Please submit your best photo-based work that was made over the past 2 years from Fall 2013 to Fall 2015.

FEE FOR SUBMISSION
There is no entry fee. All submissions should be submitted via email as jpgs. Please see instructions for submission. Students will be responsible for the cost of shipping of all accepted artwork to and from the exhibition venue, if required. To do this, you will need to include a UPS or FedEx Return Label with your ready-to-hang work.

STUDENT ELIGIBILITY
Must be a currently enrolled student at an institution within the SPE SC regional conference in the states of Alabama, Arkansas, Louisiana, Mississippi, Oklahoma, Tennessee, and Texas. Submission Instructions Send images for 3 artworks as JPEGS with the submission form via email to okc2015spesc@yahoo.com. Save files as: Last Name_First Initial_student_(number – 01, 02, 03)_(view – if applicable). jpg Examples: Smith_J_student_01.jpg or Smith_J_student_01_view1.jpg. Files should not exceed 2.5MB in size, 1,000 pixels on the longest dimension, Save as AdobeRGB, and 2 views as appropriate for 3-D related work. Please note: Improperly titled jpegs and/or a missing submission form will result in your submission(s) not being reviewed.

IMPORTANT DATES
Call Deadline for Submission: August 15, 2015 by Midnight CST
Date of Notification: August 24, 2015
Arrival Shipment / Drop Off Dates: September 10 – 11th, 2015 by 4:30 PM
Return Shipment / Pick-Up Dates: October 5 – 6th, 2015 9 – 4:30 PM
Exhibition dates: September 14th – October 2nd, 2015.

NUMBER OF ENTRIES
Up to 3  pieces in a photo-related medium, finished in an appropriate manner, and ready to be displayed.

The HAND Magazine | Ross Faircloth

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Congratulations to Texas Woman’s University Alum, Ross Faircloth, for having his artwork featured in The HAND Magazine, Issue #9, July 2015. A list of other artists included in the issue may be viewed here.

Ross received his BFA from the University of Texas at Arlington and his MFA from Texas Woman’s University.

Scholarship | The Ian Parry Scholarship

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Due: July 14, 2015
Ian Parry Scholarship

The Ian Parry Scholarship is a free international photographic award for documentary & visual photojournalism students and freelance photographers of the age of 24 years and under. This year we celebrate our 26th year.
Our 2015 deadline is July 14th 2015

Click HERE to download the application for and HERE for the digital entry process.

The award is open to all full time students including recently graduating students and BA, MA and MFA students. We ask you send us a folder of a 12 image portfolio, an application form and a synopsis of a story you would like to shoot should you win via yousendit or dropbox to entries@ianparry.org You should include research and a budget with your plan.

The award will be judged on the 21st July by our Patron Don McCullin and Trustees. Please follow us on twitter @ianparryscholar for updates.

We have increased our prize to £3,500 along with a Canon camera for the winner. The finalists will receive £500 each. Save The Children offers an international paid commission to one of the finalists. A selection of the winning images will be published in the SundayTimes magazine Spectrum and exhibited in London, also appearing in a special edition Ian Parry Scholarship catalogue.

Apply, $ | July Opportunities

JulyOpportunities

Call for Entry:

  • Due: July 1, 2015
    Exhibition Proposal | Vermont Center for Photography
  • Due: July 8, 2015
    Portraiture: Pictures in Photography | Black Box Gallery
    Theme: Portrait Photography
    Juror: Kelli Pennington
  • Due: July 13, 2015
    Black and White | PhotoPlace Gallery
    Juror: Tillman Crane
  • Due: July 22, 2015
    Memories, Stories, Histories | The Center for Fine Art Photography
    Juror: Amy Galpin
  • Due: July 31, 2015
    International Photography Awards

Scholarships:

  • Due: July 14, 2015
    Ian Parry Scholarship

Call for Entry | Portraiture

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Due: June 29, 2015
Portraiture | MPLS Photo Center
Juror: David E. Little

Portraiture has been a staple of photography since the medium’s invention in the 19th century.  That’s why it is so hard to make a portrait that stands out among the myriad of pretty faces and brooding stares that populate many photographs.  The challenge of this competition is to make a a portrait that is uniquely of our time, a time when photographic portraits and selfies are produced in unprecedented quantities.  What do you have to say with the camera and the human image that no one has said before? – Juror David E. Little

Cost for Entry: $40 first 5 images, $10 each additional
Submitting Your Entries: Submit MPC Online  Tool, Smarter Entry
Image Requirements: sRGB or RGB color space (standard); 72 ppi resolution; flatten layers 8 bit; 1280 pixels on the longest side; JPG format, compression level 8 (medium).
Call for Entry Close: June 29th, 2015
Juror Results: July 8th, 2015
Exhibit Dates: September 18th, thru November 1st, 2015
Opening Reception: September 18th, 2015
Prize & Awards: First Place – $400, Second Place – $300, Third Place – $200 and Three Honorable Mentions Awards of a full-color exhibition book. The book includes all images selected by our juror and those that will be exhibited throughout the Mpls Photo Center Galleries.
Juror: David E. Little, MIA Department Head, Curator of Photography & New Media
Accepted Images: All accepted images  will be exhibited throughout the Mpls Photo Center Galleries and published in a full-color exhibit book for purchase at $39.95.

David E. Little has been curator and head of the Photography Department at the Minneapolis Institute of Arts since 2008. He has curated over twenty shows at the MIA, including “The Sports Show: Althletics as Image and Spectacle” (2012); “The Embarrassment of Riches: Picturing Global Wealth” (2010) and the New Pictures series with David Goldblatt, James Welling and Sarah Jones, among others.  His exhibition, “100 Plus: A Photograph for Every Year of the MIA,” is on view through October 18, 2015

Toas Artists Collective Gallery | Heather Ross

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Congratulations to Texas Woman’s University Alumna, Heather Ross, who will be represented by the Taos Artist Collective Gallery in Taos, New Mexico beginning July 1st, 2015.

Heather is a photography-based artist currently residing in Taos, New Mexico. She holds a BA in Sociology from the University of Florida, and recently received her BFA in photography from Texas Woman’s University.

A Certain Displacement, Cliff Gallery | Kristina Smith and Ashley Whitt

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Congratulations to Texas Woman’s University Alumnae, Kristina Smith and Ashley Whitt, for their group exhibition, A Certain Displacement, in Cliff Gallery at Mountain View College. The exhibition is June 15 – August 7, 2015, with a reception on June 20, 2015, from 5:00 PM to 7:00 PM.

A Certain Displacement:
Rachel Rushing, Kristina Smith, and Ashley Whitt

Exhibition: June 15 – August 7, 2015

Reception: Saturday June 20, 2015 | 5:00 PM – 7:00 PM

A Certain Displacement is a collaborative project between three emerging North Texas artists: Rachel Rushing, Kristina Smith, and Ashley Whitt. Each artist explores transitory states of being related to their shared experiences of commuting, collaborating, working, and living across multiple social geographies. Through the investigation of place and identity, this project encompasses video and a combination of historical and contemporary photographic processes to create installations that invite viewers to become immersed in surreal, disorienting environments.

The title specifically references the experience of being an adjunct instructor in the Dallas / Fort Worth area. Contemporary higher education is undergoing great scrutiny, in part due to the still-recent economic recession of 2008. With external pressures pushing against rising tuition costs, much of America is now re-examining the value of higher education and the cost of attendance. As a result of this examination, new light is being shed on those in instructional positions. According to the American Association of University Professors, as much as 76% of faculty across all types of institutions are adjunct, or contingent, faculty.

As members of the group of 76%, these three artists use a variety of photographic processes to explore their circumstances. Processes: this word refers to chemical, mechanical, or digital changes occurring. It also refers to a compulsion found in each artist to work through, to operate in a way that meets their pragmatic needs and simultaneously fulfills their personal creative practices. Processes become rituals to make sense of a lifestyle that is often overwhelming, unpredictable, and ultimately contingent.

http://www.mountainviewcollege.edu/Academics/acaddivisions/Ahss/arts/Pages/artgallery.aspx

A World Imagined, Silver Eye Center for Photography | Kelli Connell

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Kelli Connell, Head to Head, 2008

Congratulations to Texas Woman’s University Alumna, Kelli Connell, for having her work included in a two person exhbition, A World Imagined. The exhibition is at Silver Eye Center for Photography in Pittsburgh, PA, from April 3 – June 13, 2015. There is an closing reception Saturday, June 13, 2015, at 6:00 PM.

Exhibition: April 3 – June 13, 2015

Closing Reception: Saturday, June 13, 2015 | 6:00 PM

A World Imagined features the work of Kelli Connell (Chicago, IL) and Sara Macel (Brooklyn, NY) who each explore the emotional and psychological terrain of personal relationships. Each artists’ projects offer opportunities to reflect on authorship, on photographic construction, and on ways in which we define relationships through our subjective experiences of them. Kelli Connell’s photographs in Double Life invent a relationship that visualizes, through digital manipulations, questions around intimacy and identity; Sara Macel’s May the Road Rise to Meet You is a collaborative examination of her relationship with her father at the end of his career.

The exhibition is organized by Leo Hsu, adjunct professor, Carnegie Mellon University, writer, and photographer, and David Oresick, Executive Director, Silver Eye Center for Photography.

ABOUT THE ARTISTS

Kelli Connell’s (b. 1974) body of work entitled Double Life has been widely received and included in numerous national solo and group exhibitions. Her work is in the collections of The Metropolitan Museum of Art, Los Angeles County Museum of Art, Columbus Museum of Art, Museum of Fine Arts, Houston, Museum of Contemporary Photography, Microsoft, The Haggerty Museum of Art, The Philadelphia Museum of Art and The Dallas Museum of Art. Publications include MP3: Midwest Photographers’ Publication Project (Aperture and The Museum of Contemporary Photography), Vitamin Ph: New Perspectives in Photography (Phaidon) and Photo Art: The New World of Photography (Aperture). Connell’s first full-length monograph entitled Kelli Connell: Double Life was released by DECODE Books in August 2011.

Sara Macel (b. 1981) received her MFA in Photography, Video & Related Media at the School of Visual Arts in 2011 and her BFA in Photography + Imaging from New York University’s Tisch School of the Arts in 2003. Her work has been internationally exhibited and is in various private collections, including the Cleveland Museum of Art, Harry Ransom Center, and the Center of Photography at Woodstock. Her recent honors include Magenta Foundation’s Flash Forward, Top 50 Photographer’s in Photolucida’s Critical Mass Award, and she was named a winner in the New York Photo Festival. In 2012, Sara received the Individual Photographer’s Fellowship Grant from the Aaron Siskind Foundation. Her first monograph, May the Road Rise to Meet You, was published by Daylight Books in 2013, and a traveling exhibition of that work was shown in solo shows in 2014 at the Center for Photography in Woodstock and the Houston Center for Photography before coming to Silver Eye. She recently self-published a book of her series titled Kiss & Tell. In addition to her freelance work, Sara currently teaches photography at SUNY Rockland and was an artist-in-residence at The Wassaic Project in upstate New York.

ABOUT THE CURATOR

Leo Hsu is an instructor in the photography program at Carnegie Mellon University, and holds a PhD in Anthropology and a Certificate in the Program in Culture and Media from New York University. His writings appear in the online magazine Fraction (fractionmagazine.com). His previous collaborations with Silver Eye Center for Photography include HomeFrontLine: Reflections on 10 Years of War Since 9/11 (2011) and No Job No Home No Peace No Rest: An Installation by Will Steacy (2012).

CLOSING RECEPTION

Talk-tails: Closing Reception for A World Imagined
WHEN: Saturday, June 13, 2015, 6:00 pm
WHERE: Silver Eye Center for Photography, 1015 East Carson Street, Pittsburgh, PA 15203
Join us for a casual evening of photography and cocktails. A World Imagined curator Leo Hsu will be here to talk about the work of Kelli Connell and Sara Macel, while guiding guests through the exhibition and inspiration behind the work. Sip on a delicious cocktail generously provided by Pittsburgh’s own Wigle Whiskey and enjoy this last chance to see A World Imagined. A closing reception for the exhibition will follow the talk.
Suggested donation $5.00